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Film Interpretation

Category / United States

scarlet-street

Scarlet Street, dir. by Fritz Lang, 1945

Every aspect of a truly artistic film (or a work of art in any medium) should in some way contribute to the key idea expressed in it. The title is no exception. An ideal title should serve as a metaphor for such idea and be constructed in a way that – a) doesn’t reveal the […]

The Woman In The Window, Large Image

The Woman in the Window, 1944

Many film connoisseurs mistakenly qualify “The Woman in the Window” as “minor Fritz Lang”, considering it more mainstream, less original and less art-like compared to Lang’s earlier “Der Müde Tod” (1921), “Dr. Mabuse, der Spieler” (1922), “Die Nibelungen” (1924), “Metropolis” (1927) and “M” (1931). Even critics who acknowledge the importance of “The Woman in the Window” […]

12_Angry_Men

12 Angry Men, dir. by Sidney Lumet, 1957

Works of art in any medium, including film, may be sorted in two broad categories according to the methods chosen by their creators: art addressing intellect and art targeting emotions. Having stated that, I feel I must immediately emphasize that intellectual art obviously doesn’t preclude emotions, and neither is emotional art the enemy of intellect. […]