Many film connoisseurs mistakenly qualify “The Woman in the Window” as “minor Fritz Lang”, considering it more mainstream, less original and less art-like compared to Lang’s earlier “Der Müde Tod” (1921), “Dr. Mabuse, der Spieler” (1922), “Die Nibelungen” (1924), “Metropolis” (1927) and “M” (1931). Even critics who acknowledge the importance of “The Woman in the Window” […]